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The Call to Follow-through
The following concerns shooting an iron-sighted
pistol accurately. Please bear with me as I repeat
myself.
The Hard Part
Aiming is not the hard part. Releasing the shot
without disturbing your hold is (the hard part). After
establishing correct intention, your body will aim your
pistol without effort.
The Third Fundamental
Hold the gun in alignment with the target until the
bullet has left the barrel.
Sight Picture
Sight picture consists of two components—1) sight
alignment, which is ONLY the alignment of the sights in
relation to your eye; and 2), sight picture, which is
the relationship of sight alignment to the target.
The "Call" to Follow-through
You improve follow-through by becoming aware of what
you see, or "remember" seeing, as the bullet
is leaving the barrel. It's not different from
"calling the shot" (with utmost precision).
Will yourself to "hold" your attention on
the sights until they lift in recoil. Look right at them—ignore
the target. You will remember where your sight alignment
was on the target without conscious effort. (Think about
what that last sentence implies.) If you are actively
observing the sights' alignment and your eyes remain
open DURING the firing of the shot, you should remember
the last exact relationship you saw before the sights
lifted in recoil. When you compare what you remember
with where the shot actually went, you will awaken to
the secret of successful shooting.
If you do not have intimate knowledge of the Third
Fundamental, you must consciously train yourself to
remember "the call." After "training to
remember," the call will occur simultaneously with
the firing of the shot. If you can maintain this state,
you will shoot without doubt.
The Problem
The pistol is the most difficult firearm to shoot
accurately offhand. The reason for this becomes apparent
if we investigate the phenomena of "the hold."
The hold has two components. First, let’s call the
gun's movement in the hands only—"the
wobble." The movement of the wobble on the target,
which originates from our arms, produces the hold. This
all to observable visual input distracts us from what is
paramount, the aforementioned third fundamental of
shooting—releasing the shot without disturbing your
established hold on the target. A trick I learned from a
silhouette shooter might help: Imagine your pistol is in
a machine-rest even though you are holding it offhand.
Now imagine the target is moving (in the same
pattern/manner as your hold). Now, what can you do to
hit the target?
Knowing this, it’s best to begin by shooting from a
bench rest or other supported position. Sandbag your
pistol so it’s rock solid. Aim into the backstop (do
not use a target, or spot to aim at) and then
consciously direct ALL your attention to building the
pressure on the trigger until the gun fires as a
surprise. It can help to use the "one to ten
scale," this time use your sights and the trigger
as your two components. Become familiar with the feeling
of firing the gun with all your attention on your
trigger/finger, while simply observing the sights lift
in recoil. Then place a target at 25 yds and repeat the
above procedure with the following addition: Use this
"order" to fire the shot—1) Align your
sights in the center of the target. 2) Shift all your
attention to your previous feeling of your finger
building pressure on the trigger until the shot breaks.
During step #2, you are still seeing the sights;
however, you are no longer "trying to aim." At
this point, your concern is not in trying to shoot a
particular spot; you are simply looking with the
intention of remembering where the sights were aligned
at the moment the shot fires.
Again, begin by shooting into the backstop with no
intention of hitting anything in particular. This will
allow you to focus all your attention on what is
important—"releasing" the shot without
disturbing the gun’s hold. Relax your attention into
the gun, look at the sights without staring, and then
shift all your attention to the feeling of your finger
on the trigger. With great determination and purpose,
increase pressure on the trigger until the gun fires—"FEEL"
the shot off. At the moment the gun lifts, recall the
sight alignment—again, this is what you must see.
After mastering this, when you put a target behind your
sights, you simply recall the last relationship of the
"sight picture" (sight alignment plus their
relationship to the target) at the instant the gun lifts
in recoil.
Only after you’ve mastered "benchrest
calling," should you begin shooting offhand.
Now to shoot a "good shot" (one that
actually goes where you intended it), you must combine
the feeling of releasing a perfect shot with the feeling
of "willing the gun still" as you build
pressure on the trigger. Eventually, with training, this
becomes ONE FEELING.
More:
Accurate calling of your shots is the most essential
ingredient to successful shooting. Set up an IPSC target
a 25 yds. Using 3/4" white tape, tape the target
into four quadrants and tape a two-inch "X" or
cross in the center of each quadrant. Shooting
slow-fire, shoot one shot at each X, offhand. After
establishing your hold in each respective quadrant, tell
yourself to LOOK RIGHT AT THE SIGHTS ("1 Sights/9
Trigger"), and without "trying to aim the
shot," create a perfect release by feeling your
finger build pressure on the trigger until the gun
fires. Your only goal is to know exactly where the shot
hit the target. Just use the "X" to assist in
remembering where the sights were when the shot broke—don’t
try to hit the X! Check the target and see where each
shot landed on the target in relationship to where you
thought it went. (It also helps if you know what size
group your gun will shoot off the bench at this
distance.) Even if it takes forever, keep practicing
this until you immediately know, as you fire a shot,
where it hit the target. If you have a spotting scope or
binoculars, you can look at the target after each shot
to get more immediate feedback. Through the relationship
of: where you thought the shot went by "reading the
sights," and where it actually went—you will
learn to know as the shot fires, exactly where it went.
For many years I ended each practice session by
shooting slow-fire groups at a nine-inch white paper
plate at 25 yards. I’d take all the time I felt I
needed to shoot the smallest five shot group possible. I’d
shoot five to ten groups each session and keep the
smallest group as my "record." This is a great
exercise to ingrain all the above.
Imagine how much easier calling the shot would be if
you were shooting a scoped pistol. All you would have to
remember is where the dot or crosshairs were when the
shot broke. With iron sights, you must get this
information by "reading" the relationship of
sight alignment and sight picture at the moment the shot
fires.
To summarize, train to call your shots by accepting
your hold, looking only at your sights, and then as the
shot fires, remember where the alignment was on the
target.
Once reading the sights is firmly ingrained, practice
to preserve this most important of all fundamental while
increasing your shooting speed. Project your attention
into your hands and sights as you shoot. When you master
this, everything else will vanish—even
"you."
Brian Enos
USPSA #: A387
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